Marshall 2466 manual

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See all photos of Marshall Vintage Modern H. Average Score:. Write a user review. Value For Money :. I can honestly say I don't know what Marshall was thinking with this amplifier. From the first look at this amplifier it has a purple tolex cover within some black which is not very appealing cosmetically. The amp is pretty easy to dial-in but I don't really find the tone to be that much of a take on the new modern sounding amps. It could be the Kt 66 output power tubes which I've never been a fan of or it could just be the circuitry itself.

This is really an amp that I cannot jive with very easily and even though I did spend a lot of time with it I just couldn't find the sweet spot that highlights my playing within this amplifier. Marshall Vintage Modern watt Amplifer Head It has more of a sound towards the classic sounding Marshall than it does the modern sounding Marshall modded amplifiers. I couldn't find a good modern Marshall tone in this amplifier.

If you pick this amplifier up you would definitely need to get modified by someone. That amplifier is heading shoulders tone wise and more versatile than this amplifier can ever be. You can find these amplifiers pretty cheap on the market but I would definitely go over this amplifier with someone you knew how to modify. It sounds OK for what it is, but very expensive to pick up even new.

That's not a bad price for new one but certainly isn't something that I would buy. I can't stress this enough. This is not a modern sounding Marshall amplifier doesn't sound like anything new that is coming out the music scene today.

If you needed new modern Marshall tone then I would look towards the JVM Marshall amplifiers or even some of the new boutique amplifier such as Splawn amplification. Marshall released a few new amplifiers in the past few years, and this is one of them. Like its name, it's a mix between old and new. The amplifier is a single channel amp that features four KT66 power tubes for watts of power, four 12AX7 preamp tubes, two gain pots, a detail knob, a body knob, a mid boost switch, digital reverb and a serial effects loop.

Despite it being a single channel amplifier, it's very versatile. The dual gain pots can allow you to dial in more unique and interesting gain tones than a single gain pot.

The body and detail knobs can also further help taylor the sound you hear in The body and detail knobs can also further help taylor the sound you hear in your head to what's coming out of your speakers. Keep in mind, however, that this isn't a high gain monster like the JVM. This is a more midgain kind of amplifier. If you're looking for higher gain, you'll want to boost this thing with some sort of tubescreamer. For once, the controls on this are somewhat sensitive. It takes some time to dial in a good sound.

This technique is still favoured by many players and their heroes. Once the amplifier is optimally set, the guitar becomes your control centre for accessing the varying degrees of tone and boost required for live performances. A brand new feature are the two frequency selective Preamp Volumes gains which work in tandem to provide greater flexibility over tonal shaping of your instrument.

The power amp plays a significant role in contributing to the overall sound and incorporates KT66 valves for true vintage tone. These are complimented by the newly developed Celestion G12C greenback speakers which deliver that smooth, balanced, harmonically rich timbre sought after by numerous connoisseurs of benchmark Marshall Tones.

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