You get two options here — Broadcast Wave Format. There is no audible difference between the two formats as they both use Pulse Code Modulation PCM to encode the audio. There are some slight differences in the metadata storage and capabilities but it usually does not affect your work in Pro Tools.
Broadcast Wave Format has slightly better compatibility across Windows and Mac. It is also the standard audio file format used in the professional audio industry. This is one of the critical parameters of digital audio files. The available options include bit, bit, and bit float. Amongst other things, higher bit depths has less noise which allows for more dynamic range in your recording.
Although bit is already more than enough for majority of the final distribution formats, it is important to record at a slightly higher quality for archival purposes. The sample rate is another critical parameter of digital audio files.
The options here depends on the sample rates that your audio interface supports. The most basic options here are You do seem oddly biased. Is this a 7. If so, there are a number of issues you may need to contend with when importing to Protools multi-channel.
Out of interest - can anyone point me to where it says LE stands for "Limited Edition"? What else can it mean? Look at all the light versions of software that are included with sound cards or other software packages. My main point here is that it's just as one-sided to say that a given feature set shouldn't bother someone as it is to say that a given feature set is obsolete.
You're less likely to get people to accept your points if you come across as what the kids these days call a "fanboy.
Wave Agent does same and more, see my first post here Matti. Top Mentioned Manufacturers. Facebook Twitter Reddit LinkedIn. Subscribe to our Newsletter. By using this site, you agree to our use of cookies. Code by Port Forward. Hosted by Nimbus Hosting. Connect with Facebook. Mytek Pro Tools LE hubercraft. UA Apollo First Look user review cowboycoalminer. You may notice that the 'cookie consent' form pops up more often than usual lately - we are tweaking it behind-the-scenes to make sure it's working comprehensively.
If you see it again it's because something has changed so please set your preferences accordingly. Pro Tools export audio to Interleaved: pan law settings?! Good evening. I've come across this strange PT issue, that I had not ever noticed before. Apparently, stereo-interleaved files differ from multi-mono in Pro Tools. Here's what happened: I recorded a duo in 96kHz multi mono for the first time, since track amount and mixing were said to be relatively small. I wanted to give the higher sample rate a try, in order to see what it does to the sound and if great quality improvement is audible.
I did some early stage mixing and the musicians want more and more fx, plug-ins increase and CPU load gets heavy. My idea then was to export all tracks to 48kHz and mix a less demanding session on my computer. But before I'd take all the effort, I decided to test on one song, first. What I did: 1. Bounce a 96kHz. WAV of the current multi mono 96kHz mix session 1.
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